High-Octane Jazz-Fusion Mojo Meets Elite Wood Science
The Guitar Sanctuary is proud to offer the legendary Yamaha PAC1611MS Mike Stern Signature Model in a gorgeous, organic Natural finish. This premium, Japanese-built T-style masterpiece has been meticulously refined to meet the strict performance demands of one of modern jazz-fusion’s most influential pioneers. Combining traditional design with cutting-edge luthiery, the PAC1611MS is an incredibly resonant, highly articulate instrument built for players who refuse to compromise on tone, playability, or touch sensitivity.
Sanctuary Expert Note: "Yamaha's exclusive Initial Response Acceleration (I.R.A.) treatment on this guitar is the real deal. It shakes off the typical structural stiffness found in brand-new instruments, giving you the immediate, vibrantly resonant, played-in feel of a vintage instrument that has been gigged for decades."
The Sonic Profile & Performance Utility
- Best For: Jazz, Fusion, Blues, Studio Session Work, and Classic Rock.
- Tone Profile: Warm, highly articulate, sweet, musical resonance, with a sensitive-to-hard-edged dynamic range.
- Compared To: Custom Shop T-style guitars, historic golden-era single-cuts.
- Special Authenticity: Comes complete with a physical certificate personally signed by Mike Stern to verify its master-crafted specifications.
Premium Technical Specifications
- Advanced I.R.A. Wood Treatment: Yamaha’s exclusive Initial Response Acceleration technology releases manufacturing tension in the tonewoods, maximizing vibration and sustain from day one.
- Premium Tonewoods: Resonant, highly figured Light Ash body finished in a stunning gloss polyurethane, paired with a fast, oil-finished Maple neck and a solid, one-piece Maple fingerboard (7-1/4" radius).
- Seymour Duncan Pickup Matrix: Equipped with a Seymour Duncan SH-1n '59 Zebra humbucker in the neck for warm, woody, and classic clean tones, paired with a Seymour Duncan STHR-1b Hot Rails humbucker in the bridge for thick, articulate, high-output lead performance.
- Premium Japanese Hardware: Anchored by a 6-saddle hardtail bridge and Gotoh SD91-05M-L vintage-style tuning machines for rock-solid intonation and tuning stability.
- Build Heritage: Bolt-on construction with a classic 25-1/2" scale length, bone nut, and 22 medium-jumbo frets.
PLEASE NOTE: The PAC1611MS Does NOT include a Case or Gig Bag from the Factory
We would highly recommend something like the Reunion Blues Expedition Series Electric Case for it.
Photos are of one from our inventory, SN IKX203E, individual color and grain will vary from guitar to guitar
General
Construction: Bolt-On
Scale Length: 25-1/2" (648 mm)
Body
Body Materials: Light Ash
Body Finish: Gloss Polyurethane
Neck
Neck Materials: Maple
Neck Finish: Oil Finish
Fingerboard Materials: One-Piece Maple
Fingerboard Radius: 7-1/4" (184 mm)
Fret Wire: Medium Jumbo
Number of Frets: 22
Nut Materials: Bone
Neck Width @ 0 Fret / 12th Fret: 40.5/51.5 mm
Thickness @1st Fret / 12th Fret: 21.3/23 mm
Electronics
Neck Pickup: Seymour Duncan SH-1n Zeb Rev
Bridge Pickup: Seymour Duncan STHR-1b
Controls: Master Volume, Master Tone
Pickup Switch: 3-Position Lever Switch
Hardware
Bridge: 6-Saddle Hardtail
String Spacing: 10.8 mm
Tuning Machines: Gotoh SD91-05M-L
Pickguard: 3-Ply Black
Factory Strings/Gauges: D'Addario EXL110 / 0.010-0.046
Special Features: I.R.A. Treatment
We are open Tuesday-Saturday from 10am until 6pm CDT.
Any order placed before 3pm CDT Tuesday through Saturday is processed for shipment the same day. Orders placed Sunday-Monday will be processed for shipment the following Tuesday.
For Free Shipping items, Effects pedals and small goods items are generally shipped via USPS Priority Mail, and Guitars and Amplifiers are generally shipped via UPS Ground.
Due to our central location in the middle of the US, most orders will be delivered within 1-3 days delivery time.
Other shipping methods are available (at an additional cost), including next day air.
Please call us directly at (972)540-6420 if you have any questions regarding shipping for your order.
